Welcome, Members of Parliament

Welcome, Members of Parliament. This blog is designed to act as a student forum for anyone enrolled in my classes at a Dallas-area proprietary college, former students, and/or others who find our conversations interesting. The Parliament will be moderated to ensure civility and relevance. The directions we take, the paths we follow, and the concerns we address are all up to you.
Showing posts with label archaeology. Show all posts
Showing posts with label archaeology. Show all posts

Sunday, April 17, 2011

This Just In

As I mentioned in a couple of classes last week, the Egyptian Museum in Cairo has not fared quite as well during and after the recent revolution as I reported a while back.

Rather, significant looting seems to have taken place, not only at the museum itself, but in storehouses elsewhere. The editorial by the president of the Archaeological Institute of America in this month's issue of Archaeology includes a plea for public support in helping to recover lost items. The heretofore indomitable Zahi Hawass has resigned in protest over the incidents.

Some of the objects seem to have been returned, as reported by the Huffington Post and other sources, so perhaps the publicity is doing some good. The article also refers to Hawass as having been re-appointed.

By all means visit the Archaeology website, especially if you're enrolled in my Humanities class this quarter, and check out the piece on Diving Ice Age Mexico. We'll be talking about the Maya later in the quarter, and this article contains some interesting material.

Thursday, October 21, 2010

Art and Archaeology in the News

This will be a regular feature of the Parliament, in hopes of furthering students' understanding of course topics--and perhaps fostering a bit of curiosity.

Archaeology Magazine this month offers a plethora of articles relevant to both my art history and humanities classes. The issue is available on the periodical shelves in the Library, and some of the information is available in online abstracts:

The Power of Chocolate traces the cultural distribution and importance of cacao in Mesoamerica and the American Southwest.

In class this week I mentioned the opening of the House of the Chaste Lovers in Pompeii. The well-preserved frescoes provide good examples of Roman painting, as well as a peek into the domestic lives of the upper crust in rural Rome.

New discoveries in Tuscany (Italy) are helping scholars better understand the Etruscans, and digs are turning up evidence about domestic life in Italy before the Romans, as well as examples of gold jewelry and other luxury goods. The photo that opens this post is an example of Etruscan artistry, although it's not one of the objects discussed in the article.

Since we’ll be covering daily life in ancient Italy in both History of Art and Design I and Intro to the Humanities during week 4, these last two articles will perhaps be of some interest. The Humanities class will be discussing the Maya during week 6, so the chocolate article will be useful to everyone –especially the culinary folks. But don’t we all love chocolate?

The Metropolitan Museum of Art is featuring a Roman mosaic from Israel in a current exhibit. The link takes you to an overview of the work, and a short video. As I’ve pointed out in class, mosaics rely on the same optical principal as pixels. This one depicts all manner of critters, both from land and from sea, with rather remarkable detail. There’s also a link to the Met’s YouTube page, which includes over 300 short videos on just about every topic imaginable related to the history of art and design.

Image credit: 5th-4th century BCE Etruscan gold necklace, displayed at the University of Pennsylvania Museum of Archaeology and Anthropology. Photo by Mary Harrsch, via Wikimedia Commons.

Thursday, July 22, 2010

The mysterious and the not-so-mysterious

I'm afraid I leaped up onto my soapbox to spout in the Tuesday afternoon class on the question of who built Egypt's pyramids and how. I'm a bit sensitive to this because I don't have much patience for uncritical thinking, but I also know that it's not my students' fault.

We're mired in a world so devoid of real imagination that even educators seem to think it necessary to hype "mysteries" and "secrets" in order to grab attention away from popular culture. In doing so, they've concocted something they call "edutainment," which has turned out to be neither educational nor particularly entertaining--at least to those who do the real work of archaeology.

So, for those of you who want to know how pyramids were built, two issues of Archaeology's online magazine can shed some light on the ramp question: How to Build a Pyramid, and Return to the Great Pyramid. Both of these make hash of my claim that we know how the pyramids were built; what I should have said is that we now have a pretty good idea of how it was done, but the details are still unclear.

Since other fads involving space aliens also came up, I suggest a look at a really good article on the crystal skull craze, also from Archaeology: The Skull of Doom. Many of you may find it way too long, tedious, "boring," or whatever, but it really delivers the goods. The Wikipedia article on the topic is pretty informative, too, and contains a whole slew of resources for further research.

Some of my students have complained that I make studying some of these questions less intriguing--that it's more fun (entertaining?) to imagine all manner of wild stories. But that's a little like the argument against science in general: that studying and analyzing phenomena like the rainbow takes all the wonder out of life.

I can't for the life of me figure out how understanding the way light works when it hits a prism lessens the wonder of a rainbow. Doesn't knowing how the ephemeral display of light through raindrops splits the spectrum make it even cooler? The phenomenon is so fragile and momentary that appreciating its fleeting beauty makes it seem, to me at least, even more wonderful (as in "full of wonder").

Does knowing how the pyramids were built make them any less amazing? I don't think so. Realizing how inventive folks were all those thousands of years ago inspires awe rather than extinguishing it. Human beings have been and still are screwing up right and left, but knowing that we do have our moments of glory is kind of reassuring.

But the real problem to me is that seeking mystery for its own sake indicates a gap in the human imagination. If we can only learn stuff if it's "entertaining" (or "mysterious" or full of "secrets"), we're in trouble. There are many aspects of life, the universe, and everything that we don't understand. But if we don't respect reason enough, we're doomed to remain swamped by ignorance and hype.

Students simply must learn how to distinguish the reasonable from the idiotic, the truly mysterious from the merely puzzling, and the expert from the charlatan. But please don't be afraid to ask questions; even if I hop back up on the soap box, we'll all benefit from your asking.

Real learning comes from wondering, and from developing strategies that help you find cogent answers your own questions.

Image credits: The lithograph of The Pyramids of Geezah is by Louis Haghe from an original drawings by David Roberts between 1846 and 1849; it's from the Library of Congress, but also available on Wikimedia Commons. The Crystal Skull photo (of the British Museum specimen) is from the Wikipedia article on the subject.